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Accordion Sheet Music
"Kenny Burrell is a great musician and his music has helped to make me what I am today." Stevie Wonder
Andrei Baicoianu
Andrei Baicoianu Arrangeur, Compositeur, Interprete, Editeur Roumanie, PloiestiImprovisation is a musical idea created without premeditation, while rehearsal is vigorous repetition of an idea until it has achieved cohesion. I sometimes add improvisation to a well-rehearsed idea to create a
unique performance.
unique performance.
Gennaro Ruffolo
Maestro Gennaro Ruffolo was born in Cosenza in 1977 and, from an early age, at the age of seven he began studying the accordion first with Maestro Giacomo Carrisi and then with Maestro Paolo Gallina. Later he perfected himself with Maestro Carmine Di Marco, World Oscar of Composition in Los Angeles. He graduated in Classical Accordion with full marks under the guidance of Maestro Alessandro Mugnoz at the "G.B.Pergolesi" conservatory in Ancona. At the age of seventeen he received the silver lion at the Tommaso Coccione composition prize of Poggio Fiorito (CH) with the piece "MUSETTE A 'PARIS" published by Bèrben of Ancona. On 23 April 2013 he won 1st place overall at the International Festival unpublished pieces "Music without Words" held in Castelfidardo in the famous and renowned TEATRO ASTRA, with one of his songs entitled PIZZITANA.
Traditional
traditional music
Bert Kaempfert
Bert Kaempfert (born Berthold Heinrich Kämpfert, 16 October 1923 – 21 June 1980) was a German orchestra leader, multi-instrumentalist, music producer, arranger, and composer. He made easy listening and jazz-oriented records and wrote the music for a number of well-known songs, including "Strangers in the Night" and "Moon Over Naples".
Robert Lowry
Robert Lowry (March 12, 1826 – 25 November 1899) was an American preacher who became a popular writer of gospel music in the mid- to late-19th century. His best-known hymns include "Shall We Gather at the River", "Christ Arose!", "How Can I Keep from Singing?" and "Nothing But The Blood Of Jesus".
La Rue Kétanou
La Rue Ketanou is a French music group that blends chanson and folk rock mixed with elements of reggae music, bohemian style of life, theatre, poetry and humor. Its name is a deformation of La rue qui est à nous, which means The street that's ours.The group is composed of musicians Mourad Musset, Olivier Leite, and Florent Vintrigner, all from the Théâtre du fil in Paris. At first the trio played in the streets of la Rochelle and the île de Ré. The show was a mix of theater and music. The group's motto was "C'est pas nous qui sommes à la rue, c'est la rue qui est à nous ('Ketanou')", meaning literally: "We don't belong to the street; it's the street that belongs to us." This could also be rendered as: "We are not bums; the street is ours."
Roland Cedermark
Roland Cedermark, was a Swedish musician. He was born in Älvros and made his solo debut in 1976. He sold over 2 million records in Sweden. Amongst his hits were "Vandra varsamt" in 2010, "Någon behöver dej" in 1997 and "Whispering" in 1977
Juan Carlos Cobian
Juan Carlos Cobián (1888–1953) was an Argentine bandleader and tango composer. He led the "evolutionary" tendency in tango which was perceived as tending to concert music than to traditional dance music.[
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Arcangelo Corelli
Arcangelo Corelli (17 February 1653 – 8 January 1713) was an Italian violinist and composer of Baroque music.
Corelli was born at Fusignano, in the current-day province of Ravenna, although at the time it was in the province of Ferrara. Little is known about his early life. His master on the violin was Giovanni Battista Bassani. Matteo Simonelli, the well-known singer of the pope’s chapel, taught him composition.
He gained his first major success in Paris at the age of nineteen, and to this he owed his European reputation. From Paris, Corelli went to Germany. In 1681 he was in the service of the electoral prince of Bavaria; between 1680 and 1685 he spent a considerable time in the house of his friend and fellow violinist-composer Cristiano Farinelli (believed to be the uncle of the celebrated castrato Farinelli).
In 1685 Corelli was in Rome, where he led the festival performances of music for Queen Christina of Sweden, and he was also a favorite of Cardinal Pietro Ottoboni, grandnephew of another Cardinal Pietro Ottoboni, who in 1689 became Pope Alexander VIII. From 1689 to 1690 he was in Modena; the Duke of Modena was generous to him. In 1708 he returned to Rome, living in the palace of Cardinal Ottoboni. His visit to Naples, at the invitation of the king, took place in the same year.
The style of execution introduced by Corelli and preserved by his pupils, such as Francesco Geminiani, Pietro Locatelli, and many others, was of vital importance for the development of violin playing. It has been said that the paths of all of the famous violinist-composers of 18th-century Italy led to Arcangelo Corelli who was their "iconic point of reference." (Toussaint Loviko, in the program notes to Italian Violin Concertos, Veritas, 2003)
Corelli was born at Fusignano, in the current-day province of Ravenna, although at the time it was in the province of Ferrara. Little is known about his early life. His master on the violin was Giovanni Battista Bassani. Matteo Simonelli, the well-known singer of the pope’s chapel, taught him composition.
He gained his first major success in Paris at the age of nineteen, and to this he owed his European reputation. From Paris, Corelli went to Germany. In 1681 he was in the service of the electoral prince of Bavaria; between 1680 and 1685 he spent a considerable time in the house of his friend and fellow violinist-composer Cristiano Farinelli (believed to be the uncle of the celebrated castrato Farinelli).
In 1685 Corelli was in Rome, where he led the festival performances of music for Queen Christina of Sweden, and he was also a favorite of Cardinal Pietro Ottoboni, grandnephew of another Cardinal Pietro Ottoboni, who in 1689 became Pope Alexander VIII. From 1689 to 1690 he was in Modena; the Duke of Modena was generous to him. In 1708 he returned to Rome, living in the palace of Cardinal Ottoboni. His visit to Naples, at the invitation of the king, took place in the same year.
The style of execution introduced by Corelli and preserved by his pupils, such as Francesco Geminiani, Pietro Locatelli, and many others, was of vital importance for the development of violin playing. It has been said that the paths of all of the famous violinist-composers of 18th-century Italy led to Arcangelo Corelli who was their "iconic point of reference." (Toussaint Loviko, in the program notes to Italian Violin Concertos, Veritas, 2003)
Music theory
Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory"
Georges Ulmer
Georges Ulmer was a Danish-born composer, librettist, and actor who became a naturalized French citizen. He was born Jørgen Frederik Ulmer on 16 February 1919 in Copenhagen, Denmark, and died on 29 September 1989 at Marseille, Bouches-du-Rhône, France. He was the father of singer Laura UlmerUlmer grew up in Spain, where he started work as a musical performer, writer, and composer for the movies. However, it was in France that he quickly found a permanent place in the musical firmament with his immortal cliché of Parisian tourism, Pigalle, which he co-wrote in 1944 with the lyricist, Géo Koger, and composed with Guy Luypaerts. Other than his own interpretation, the song was also covered by Jean Sablon, Charles Dumont, Franck Pourcel, Paul Anka, Bing Crosby, Petula Clark, Silvio Berlusconi, and many others.
Ljubisa Pavkovic
Ljubiša Pavković Musician Born: June 14, 1947 (age 74 years), Belgrade, Serbia Albums: Zapisano u vremenu
Songs Medeno kolo Zapisano u vremenu · 2012 Milanovo kolo Zapisano u vremenu · 2012 Kosmajski biser Zapisano u vremenu · 2012
Songs Medeno kolo Zapisano u vremenu · 2012 Milanovo kolo Zapisano u vremenu · 2012 Kosmajski biser Zapisano u vremenu · 2012
Steve Perry
Stephen Ray Perry (born January 22, 1949) is an American singer and songwriter. He is best known as the lead singer of the rock band Journey during their most commercially successful periods from 1977 to 1987, and again from 1995 to 1998. Perry also had a successful solo career between the mid-1980s and mid-1990s, made sporadic appearances in the 2000s, and returned to music full-time in 2018.
Georgy Sviridov
Georgy Vasilyevich Sviridov was a Russian neoromantic composer, active in the Soviet era. He is most widely known for his choral music, strongly influenced by the traditional chant of the Russian Orthodox Church, as well as his orchestral works which often celebrate elements of Russian culture.
Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich, Russian composer. The USSR Supreme Soviet MP was awarded the Order of Lenin. The composer, who wrote the most important symphonies of the 20th century, produced many works, including soundtrack, song and jazz.
Richard Galliano
Richard Galliano is a French accordionist of Italian heritage. Date of birth: December 12, 1950 (68 years old), Cannes, France Movies: Richard Galliano: Tangaria Quartet, MORE Awards: NAACP Image Award for Best Jazz Album
Jacques Brel
Jacques Romain Georges Brel (April 8, 1929 – October 9, 1978) was a Belgian French-speaking singer-songwriter. The quality and style of his lyrics are highly regarded by many leading critics of popular music.
Brel's songs are not especially well known in the English-speaking world except in translation and through the interpretations of other singers, most famously Scott Walker and Judy Collins. Others who have sung his work in English include Marc Almond, Dave Van Ronk, Alex Harvey, David Bowie, Dusty Springfield, The Dresden Dolls, Frank Sinatra, Terry Jacks, Nina Simone, Rod McKuen, The Kingston Trio, Gavin Friday, Jack Lukeman, Dax Riggs and Beirut. In French-speaking countries, Brel is also remembered as an actor and director.
Brel's songs are not especially well known in the English-speaking world except in translation and through the interpretations of other singers, most famously Scott Walker and Judy Collins. Others who have sung his work in English include Marc Almond, Dave Van Ronk, Alex Harvey, David Bowie, Dusty Springfield, The Dresden Dolls, Frank Sinatra, Terry Jacks, Nina Simone, Rod McKuen, The Kingston Trio, Gavin Friday, Jack Lukeman, Dax Riggs and Beirut. In French-speaking countries, Brel is also remembered as an actor and director.
Vivaldi
Antonio Lucio Vivaldi (March 4, 1678 â July 28, 1741), nicknamed il Prete Rosso ("The Red Priest"), was a Venetian priest and Baroque music composer, as well as a famous virtuoso violinist; he was born and raised in the Republic of Venice. The Four Seasons, a series of four violin concerti, is his best-known work and a highly popular Baroque piece.
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Mariano Mores
Mariano Alberto Martínez, known professionally as Mariano Mores, was an Argentine tango composer and pianist.
Date of birth: February 18, 1918, San Telmo, Buenos Aires, Argentina Date and place of death: 13 April 2016, Buenos Aires, Argentina
Date of birth: February 18, 1918, San Telmo, Buenos Aires, Argentina Date and place of death: 13 April 2016, Buenos Aires, Argentina
Astor Piazzola
Astor Pantaleón Piazzolla (Spanish pronunciation: , Italian pronunciation: ; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles.
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
J. de D. FILIBERTO
uan de Dios Filiberto (8 March 1885 – 11 November 1964) was an Argentine violinist, conductor, poet and composer who became prominent in the Argentine tango genre.He was born Óscar Juan de Dios Filiberti in 1885 to Josefa Roballo, a mestizo descendant of one of the founding fathers of Argentina, Martín Rodríguez, and Juan Filiberti, a Genoese immigrant.An uncle introduced him to tango at the age of six, though he was forced to leave school at age nine, entering the labor force as a newsie and, later, bricklayer. He later worked as a stevedore and, eventually, shift supervisor for the local Mihánovich shipyards.The advent of organized labor in Argentina and poor working conditions helped lead Filiberto and most of his colleagues to join the stevedores' union affiliated with the Argentine Workers' Federation, where he supported an anarchist line and actively participated in a series of strikes in 1907.
Harry Warren
Harry Warren (born Salvatore Antonio Guaragna, December 24, 1893 – September 22, 1981) was an American composer and lyricist. Warren was the first major American songwriter to write primarily for film. He was nominated for the Academy Award for Best Original Song eleven times and won three Oscars for composing "Lullaby of Broadway", "You'll Never Know" and "On the Atchison, Topeka and the Santa Fe". He wrote the music for the first blockbuster film musical, 42nd Street, choreographed by Busby Berkeley, with whom he would collaborate on many musical films.
Kaoma
Kaoma, a Franco-Brazilian music group. They are known for their Lambada piece they released in 1989.
The Shelton Brothers
The Shelton Brothers, Bob, Joe and Merle, were pioneer country musicians and renowned recording artists based out of Texas from the mid-1930s through the 1960s. They created and popularized the songs Johnson's Old Gray Mule, Deep Elm Blues, These Shoes Are Killing Me, Oh Monah, Match Box Blues and My Heart Oozes Blood For You, "What's The Matter With Deep Elm", "I'm A Handy Man To Have Around" and "Henpecked Husband Blues". The Shelton Brothers (Joe and Bob) also wrote (their names appear as co-writers, but the writer was actually, individually, Sydney Robin) and were the second to record "Just Because" (Decca 46008), a song that has since been recorded numerous times by various artists including Elvis Presley who included it on his very first album titled "Elvis Presley". The original recording was by Nelstone's Hawaiians, comprising Hubert Nelson and James D. Touchstone. The song's opening line reads: Just because you think you're so pretty, just because you think you're so hot..... "Just Because" was the Shelton's first release on Decca but, due to their popularity, they went on to cut over 150 sides for the label. They also recorded sides for Victor Records and King Records. The Shelton Brothers would become one of the most successful country acts of the era.
Salvatore Adamo
Salvatore, Knight Adamo (born 1 November 1943) is a Belgian singer and composer, who is known for his romantic ballads. Adamo was born in Italy and grew up from the age of three in Belgium. He holds dual citizenship of Belgium and Italy.He first gained popularity throughout Europe and later in the Middle East, Latin America, Japan, and the United States. He has sold more than 80 million albums and 20 million singles making him one of the most commercially successful musicians in the world. He mainly performs in French but has also sung in Italian, Dutch, English, German, Spanish, Japanese, and Turkish. "Tombe la neige", "La nuit", and "Inch'Allah" remain his best known songs. He is currently the best selling Belgian musician of all time.
Rossano Mancini
Rossano Mancini Musical artist Swing polka La fisarmonica solista, vol.1 · 2010 Libertango La fisarmonica solista, vol.1 · 2010 Alla Rossano La fisarmonica solista, vol.1 · 2010
Vladamir Sisin
During his career as a composer, Shainsky wrote a great number of works for children. He created music and songs for cartoons such as Cheburashka, Katerok, ...
Schubert
Franz Peter Schubert (January 31, 1797 – November 19, 1828) was an Austrian composer. He wrote some 600 lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, and a large body of chamber and solo piano music. He is particularly noted for his original melodic and harmonic writing.
While Schubert had a close circle of friends and associates who admired his work (including his teacher Antonio Salieri, and the prominent singer Johann Michael Vogl), wider appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. Interest in Schubert's work increased dramatically in the decades following his death and he is now widely considered to be one of the greatest composers in the Western tradition.
While he was clearly influenced by the Classical sonata forms of Beethoven and Mozart (his early works, among them notably the 5th Symphony, are particularly Mozartean), his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama. This combination of Classical form and long-breathed Romantic melody sometimes lends them a discursive style: his 9th Symphony was described by Robert Schumann as running to "heavenly lengths". His harmonic innovations include movements in which the first section ends in the key of the subdominant rather than the dominant (as in the last movement of the Trout Quintet). Schubert's practice here was a forerunner of the common Romantic technique of relaxing, rather than raising, tension in the middle of a movement, with final resolution postponed to the very end.
While Schubert had a close circle of friends and associates who admired his work (including his teacher Antonio Salieri, and the prominent singer Johann Michael Vogl), wider appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. Interest in Schubert's work increased dramatically in the decades following his death and he is now widely considered to be one of the greatest composers in the Western tradition.
While he was clearly influenced by the Classical sonata forms of Beethoven and Mozart (his early works, among them notably the 5th Symphony, are particularly Mozartean), his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama. This combination of Classical form and long-breathed Romantic melody sometimes lends them a discursive style: his 9th Symphony was described by Robert Schumann as running to "heavenly lengths". His harmonic innovations include movements in which the first section ends in the key of the subdominant rather than the dominant (as in the last movement of the Trout Quintet). Schubert's practice here was a forerunner of the common Romantic technique of relaxing, rather than raising, tension in the middle of a movement, with final resolution postponed to the very end.
Ronan Hardiman
Ronan Hardiman is an Irish composer, famous for his soundtracks to Michael Flatley's dance shows Lord of the Dance, Feet of Flames and Celtic Tiger Live.
Modest Mussorgsky
Modest Petrovich Mussorgsky (Russian: Модест Петрович Мусоргский, tr. Modést Petróvich Músorgskiy, IPA: ; 21 March 1839 – 28 March 1881) was a Russian composer, one of the group known as "The Five". He was an innovator of Russian music in the romantic period. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music.
Bobbejaan Schoepen
Bobbejaan Schoepen was a Flemish pioneer in Belgian pop music, vaudeville, and European country music. Schoepen was a versatile entertainer, entrepreneur, singer-songwriter, guitarist, comedian, actor, and professional whistler, as well as the founder and former director of the amusement park Bobbejaanland.
Yvette Horner
Yvette Horner was a French accordionist, pianist and composer known for performing with the Tour de France during the 1950s and 1960s. During her 70-year long career, she gave more than two thousand concerts and released around 150 records, selling a total of 30 million copies.
Chamamé
Chamamé is a folk music genre from Northeast Argentina and Argentinian Mesopotamia. In 2020, Chamamé was inscribed in UNESCO's Intangible cultural heritage list after it was nominated by Argentina in 2018. Chamamé is also known in Paysandú Department, Uruguay.
Marco Frisina
Marco Frisina (born 16 December 1954, in Rome), is an Italian Roman Catholic priest and composer. He is director of the Pastoral Worship Center at the Vatican.