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Accordion Sheet Music
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Dvorak
Antonín Leopold Dvořák (September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms and melodies of the folk music of his native Bohemia and Moravia. His works include operas, symphonic, choral and chamber music. His best-known works are his New World Symphony (particularly the slow movement), as well as his Slavonic Dances, American String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Yann Tiersen
Guillaume Yann Tiersen (born 23 June 1970) is a French musician and composer known internationally for composing the score to the Jean-Pierre Jeunet movie Amélie. His music is recognized by its use of a large variety of instruments in relatively minimalist compositions, often with a touch of either European classical music or French folk music, using primarily the piano, accordion or violin together with instruments like the melodica, xylophone, toy piano, ondes martenot, harpsichord and typewriter. His musical style is reminiscent of Frédéric Chopin, Erik Satie, Philip Glass and Michael Nyman.
Traditional
traditional music
Mussorgsky
Modest Petrovich Mussorgsky (March 21, 1839 – March 28, 1881), one of the Russian composers known as the Five, was an innovator of Russian music. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music.
Like his literary contemporary Fyodor Dostoyevsky, Mussorgsky depicts in his music "the insulted and the injured" with all their passion and pain. He raises these characters to tragic heights until the grotesque and majestic coexist. Mussorgsky could accomplish this not simply out of compassion or guilt towards them, but because in his works he almost becomes them. Mussorgsky's music is vivid, confused, feverish and ultimately hypnotizing —again, like Dostoyevsky at his best.
Many of his major works were inspired by Russian history, Russian folklore, and other nationalist themes, including the opera Boris Godunov, the orchestral tone poem Night on Bald Mountain, and the piano suite Pictures at an Exhibition. However, while Mussorgsky's music can be vivid and nationalistic, it does not glorify the powerful and is at times (such as in The Field-Marshal) antimilitaristic. For this reason, it was perceived as being directed against the state and its composer "under suspicion." He, like the others in The Russian Five, were considered dangerous extremists by the emperor and his court. This may have been the reason Tsar Alexander III personally crossed off Boris Godounov from the list of proposed pieces for the imperial opera in 1888.
For many years Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compositions have recently come into their own in their original forms, and some of the original scores are now also available.
Like his literary contemporary Fyodor Dostoyevsky, Mussorgsky depicts in his music "the insulted and the injured" with all their passion and pain. He raises these characters to tragic heights until the grotesque and majestic coexist. Mussorgsky could accomplish this not simply out of compassion or guilt towards them, but because in his works he almost becomes them. Mussorgsky's music is vivid, confused, feverish and ultimately hypnotizing —again, like Dostoyevsky at his best.
Many of his major works were inspired by Russian history, Russian folklore, and other nationalist themes, including the opera Boris Godunov, the orchestral tone poem Night on Bald Mountain, and the piano suite Pictures at an Exhibition. However, while Mussorgsky's music can be vivid and nationalistic, it does not glorify the powerful and is at times (such as in The Field-Marshal) antimilitaristic. For this reason, it was perceived as being directed against the state and its composer "under suspicion." He, like the others in The Russian Five, were considered dangerous extremists by the emperor and his court. This may have been the reason Tsar Alexander III personally crossed off Boris Godounov from the list of proposed pieces for the imperial opera in 1888.
For many years Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compositions have recently come into their own in their original forms, and some of the original scores are now also available.
Bert Kaempfert
Bert Kaempfert (born Berthold Heinrich Kämpfert, 16 October 1923 – 21 June 1980) was a German orchestra leader, multi-instrumentalist, music producer, arranger, and composer. He made easy listening and jazz-oriented records and wrote the music for a number of well-known songs, including "Strangers in the Night" and "Moon Over Naples".
Louis Bacalov
Luis Enríquez Bacalov (30 August 1933 – 15 November 2017) was an Argentine-Italian film composer who learned music from Enrique Barenboim, father of Daniel Barenboim the conductor of the Berlin, and Chicago orchestras, and also Berta Sujovolsky. Bringing his talent into society he ventured into music for the cinema, and composed scores for Spaghetti Western films. In the early 1970s, he collaborated with Italian progressive rock bands. Bacalov was nominated twice for the Academy Award for Best Original Score, winning it in 1996 for Il Postino. Bacalov composed significant works for chorus and orchestra. Before his death, he was the artistic director of the Orchestra della Magna Grecia in Taranto, Italy.
Arnt haugen
Arnt Haugen was a Norwegian accordionist and music journalist from Kongsberg, known from over 100 LP releases. Haugen was born in Jondalen in Buskerud county. After studying to be a journalist, he worked for the newspaper Fremtiden and the music journal Rytme from 1955 to 1962. Later he edited Trekkspill-Nytt.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Juan Carlos Cobian
Juan Carlos Cobián (1888–1953) was an Argentine bandleader and tango composer. He led the "evolutionary" tendency in tango which was perceived as tending to concert music than to traditional dance music.[
Gerson Antunes
Jorge Antunes was born in Rio de Janeiro in 1942. He began his musical studies in 1958 and in 1960 joined the National School of Music of the University of Brazil (current UFRJ), in violin class of Prof. Carlos de Almeida. In 1964 began the course of composition and conducting in the same school, studying with Henrique Morelembaum, José Siqueira and Eleazar de Carvalho. Simultaneously he followed the course of composition of Guerra Peixe in Pró-Arte of Rio de Janeiro.
Gus Viseur
Gus Viseur, born Gustave-Joseph Viseur (15 May 1915 – 25 August 1974) was a Belgian/French button accordionist.
Gus Viseur was a virtuoso in the musette genre, during the swing era in the 1930s. He is the only jazz accordionist who is a member of the famous Hot Club de France, conducted by Charles Delaunay.
Gus Viseur was a virtuoso in the musette genre, during the swing era in the 1930s. He is the only jazz accordionist who is a member of the famous Hot Club de France, conducted by Charles Delaunay.
Arnstein Johansen
Arnstein Johansen (June 19, 1925 – September 26, 2013) was a Norwegian accordionist that played jazz and old-fashioned dances. He became well-known through his recordings and his international collaboration. He studied under Ottar E. Akre, Thorleif Ekren, and Gunnar Sønstevold, and also at the Norwegian Academy of Music. After the Second World War, he played in a duet with Rolf Andersen, and then spent time in the United States, playing with Pietro Frosini, Guido Deiro, and Anthony Galla-Rini.He released a number of albums as a solo artist and with the Arnstein Johansen Quartet (Arnstein Johansen kvartett), later quintet: Gammeldans (Old-Fashioned Dances), Hæla i taket (Party Hardy), A.J.'s freskeste (A. J.'s Freshest), I ring og feiende sving (In Ring and Sweeping Swing), Evergreens (Golden Oldies), Tea for Two, Crazy Rhythm, Out of Nowhere, and Too Late Now. He also played with Sverre Cornelius Lund and participated in releases with Alf Prøysen and others.
Dominique Perczak
Pleasant moment of relaxation, a few lines on a sheet of paper, key to happiness, a round, a
quarter note, an eighth note, a quarter note are placed, a sigh, a melody is created, the instrument discovers for the
great pleasure of the Musician ... and of the Listener ...
quarter note, an eighth note, a quarter note are placed, a sigh, a melody is created, the instrument discovers for the
great pleasure of the Musician ... and of the Listener ...
Sebastián Iradier
Sebastián Iradier Salaverri (Salaberri) (20 January 1809 – 6 December 1865), or Sebastián Yradier, was a Spanish Basque composer.Iradier was born in Lanciego, in the province of Álava. His publisher in Paris urged him to "universalize" his name, from Iradier to Yradier.He is known primarily for his habaneras, especially the one titled "La Paloma", written around 1860 after a visit to Cuba. "La Paloma" was extremely popular in both Spain and the Americas (especially Mexico), where it was responsible for the great popularity achieved by the habanera. Radio Universidad Nacional Autónoma de México (UNAM) has estimated that there are more than one thousand versions of "La Paloma", and said that, together with "Yesterday" by The Beatles, it is one of the most recorded songs in the history of music
Pietro Frosini
Pietro Frosini (9 August 1885 – 2 September 1951) was one of the first famous "stars of the accordion." He was born in Catania, Sicily, in 1885 and began to play the chromatic button accordion at the age of six. In 1905 he emigrated to San Francisco and was discovered by a talent scout for the Orpheum Vaudeville Circuit.Frosini made one of the first accordion recordings on a cylinder record for Edison in 1907 and made his first Victor recording in 1908. He traveled extensively on the vaudeville circuit in America and abroad and even performed for the King of England.
Tony Murena
Tony Muréna (1917 – 1970) was an Italian-born Musette accordionist and jazz composer who lived and worked in FranceAntonio Muréna was born in Borgo Val di Taro, Italy. His family emigrated to France in 1923 and settled in Nogent-sur-Marne. His uncle gave him his first accordion and he began a performing career assisted by his cousin Louis Ferrari. Muréna played in cabarets and music halls from an early age.
Astor Piazzola
Astor Pantaleón Piazzolla (Spanish pronunciation: , Italian pronunciation: ; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles.
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
Franz Lehar
Franz Lehár (30 April 1870 – 24 October 1948) was an Austrian composer. He is mainly known for his operettas of which the most successful and best known is The Merry Widow (Die lustige Witwe).
B.o.B.
Bobby Ray Simmons Jr. (born November 15, 1988), known professionally as B.o.B, is an American rapper, singer, songwriter, record producer, and conspiracy theorist from Decatur, Georgia. In 2006, B.o.B was discovered by Brian Richardson, who then introduced him to TJ Chapman, who subsequently brought him to American record producer Jim Jonsin. After hearing his music, Jonsin signed B.o.B to his Rebel Rock Entertainment imprint. Two years later, Jonsin and B.o.B signed a joint venture deal, with Atlantic Records and American rapper T.I.'s Grand Hustle Records.
Anatoli Kusjakow
He finished his studies of composition at the Music Pedagogical Institute of Rostov in 1971, class of L. P. Klinitchev, and reached the grade of "Aspirantura" at the consevatory of Moscow in 1974, at the class of S. A. Balasanyan. Since 1974 he was teaching composition and instrumentation at the Music Pedagogical Institute of Rostov-on-Don. In 1981 he became Rector of that institute, which he stayed till 1988. One year later, in 1989 he was professor at the same institute. (Now this institute is called "Rachmaninoff Conservatory".
John Denver
John Denver (December 31, 1943 – October 12, 1997), born Henry John Deutschendorf, Jr., was an American Country Music/folk singer-songwriter and folk rock musician. One of the most popular artists of the 1970s, he recorded and released some 300 songs, about half composed by himself. He was named Poet Laureate of Colorado in 1977. Songs such as "Leaving on a Jet Plane" (1967), "Take Me Home, Country Roads" (1971), "Rocky Mountain High" (1973), "Thank God I'm a Country Boy" (1974), "Annie's Song" (1974), "Sunshine on My Shoulders" (1974), and "Calypso" (1975) are popular worldwide. Denver has been referred to as "The Poet for the Planet", "Mother Nature's Son" (based on The Beatles song he covered) and "A Song's Best Friend".
Ray Parker Jr
Ray Erskine Parker, Jr. (born May 1, 1954) is an American guitarist, songwriter, producer and recording artist. Parker is known for writing and performing the theme song to the motion picture Ghostbusters.
Georges Auric
Georges Auric (French: ; 15 February 1899 – 23 July 1983) was a French composer, born in Lodève, Hérault. He was considered one of Les Six, a group of artists informally associated with Jean Cocteau and Erik Satie. Before he turned 20 he had orchestrated and written incidental music for several ballets and stage productions. He also had a long and distinguished career as a film composer.
Isaac Albeniz
Isaac Albéniz i Pascual (Spanish pronunciation: ) (May 29, 1860 – May 18, 1909) was a Spanish pianist and composer best known for his piano works based on folk music.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Hubert Giraud
Hubert Yves Adrian Giraud (3 March 1920 – 16 January 2016) was a French composer and lyricist.Giraud began his career playing the harmonica with Django Reinhardt's jazz group, the Quintette du Hot Club de France. In 1941, he was recruited by Ray Ventura to play the guitar during Ventura's big-band tour of South America. Six years later, he joined Jacques Hélian's orchestra in scoring a series of post-war romantic comedy films, including Georges Combert's 1951 feature, Musique en tête.
Jo Privat
Jo Privat was a French accordionist and composer. Privat was born at Ménilmontant, Paris. He played for many years at Balajo, a musette club in Paris where he worked with Django Reinhardt, the Ferret Brothers, Didier Roussin and Patrick Saussois.
Paganini
Niccolò Paganini (27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His caprice in A minor, Op. 1 No. 24 is among his best known of compositions, and serves as inspiration for many prominent artists.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Relient K
Relient K is an American rock band formed in Canton, Ohio in 1998 by Matthew Thiessen on guitar and piano, Brian Pittman on bass, and Matt Hoopes on guitar between the band's junior year in high school and their time at Malone College in Canton, Ohio. The band is named after guitarist Matt Hoopes' Plymouth Reliant K car, with the spelling intentionally altered to avoid trademark infringement over the Reliant name.
The group is associated with the Contemporary Christian Music culture, most notably the Christian rock and Christian punk scene. Despite being a Christian band the group has performed alongside secular artists, and has had critical success with mainstream pop punk. The band's sound incorporates piano rock and acoustic elements; and the lyrical content often refers to God, Jesus, and the terms "you" and "Him" are used in reference to The Divine. Since its formation, Relient K has released a discography consisting of five studio albums, seven EPs, two Christmas albums, and one collection of rarities. The band has received numerous awards including a Grammy Award nomination in 2003 for Best Rock Gospel Album and two Dove Awards.
Relient K is best known commercially for their two studio albums which peaked in the top 15 of the US Billboard 200 chart. After signing with Capitol Records, they broke into the mainstream in 2004 with the release of Mmhmm, which debuted at #15 on the Billboard 200. In 2007, their fifth album brought the most success for Relient K, Five Score and Seven Years Ago debuted at #6 on the US Billboard 200 and sold 60,000 records in its debut week. The band has sold over 2 million records, with three albums being given Gold certification by the RIAA. The band is also highly successful throughout the Christian Albums and Contemporary Christian Music charts.
The group is associated with the Contemporary Christian Music culture, most notably the Christian rock and Christian punk scene. Despite being a Christian band the group has performed alongside secular artists, and has had critical success with mainstream pop punk. The band's sound incorporates piano rock and acoustic elements; and the lyrical content often refers to God, Jesus, and the terms "you" and "Him" are used in reference to The Divine. Since its formation, Relient K has released a discography consisting of five studio albums, seven EPs, two Christmas albums, and one collection of rarities. The band has received numerous awards including a Grammy Award nomination in 2003 for Best Rock Gospel Album and two Dove Awards.
Relient K is best known commercially for their two studio albums which peaked in the top 15 of the US Billboard 200 chart. After signing with Capitol Records, they broke into the mainstream in 2004 with the release of Mmhmm, which debuted at #15 on the Billboard 200. In 2007, their fifth album brought the most success for Relient K, Five Score and Seven Years Ago debuted at #6 on the US Billboard 200 and sold 60,000 records in its debut week. The band has sold over 2 million records, with three albums being given Gold certification by the RIAA. The band is also highly successful throughout the Christian Albums and Contemporary Christian Music charts.
Carlos Gardel
Carlos Gardel (11 December 1890 – 24 June 1935) was a singer, songwriter and actor, and is perhaps the most prominent figure in the history of tango. The unerring musicality of Gardel's baritone voice and the dramatic phrasing of his lyrics made miniature masterpieces of his hundreds of three-minute tango recordings. Together with lyricist and long-time collaborator Alfredo Le Pera, Gardel wrote several classic tangos, most notably "Mi Buenos Aires querido", "Por una cabeza" and "El día que me quieras".
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" (The Song Thrush), "The King of Tango", "El Mago" (The Magician) and "El Mudo" (The Mute).
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" (The Song Thrush), "The King of Tango", "El Mago" (The Magician) and "El Mudo" (The Mute).
Richard Galliano
Richard Galliano is a French accordionist of Italian heritage. Date of birth: December 12, 1950 (68 years old), Cannes, France Movies: Richard Galliano: Tangaria Quartet, MORE Awards: NAACP Image Award for Best Jazz Album
Loreena McKennitt
Loreena Isabel Irene McKennitt, CM, OM, (born February 17, 1957) is a Canadian singer, composer, harpist, accordionist and pianist who writes, records and performs world music with Celtic and Middle Eastern themes. McKennitt is known for her refined, warbling soprano vocals. She has sold more than 14 million records worldwide.
TONY MURENA
Antonio Muréna was born in Borgo Val di Taro, Italy. His family emigrated to France in 1923 and settled in Nogent-sur-Marne. His uncle gave him his first accordion and he began a performing career assisted by his cousin Louis Ferrari. Muréna played in cabarets and music halls from an early age.
In 1932 Muréna began to play the bandoneón in tango orchestras, including that of Rafael and Eduardo Bianco Canaro, at French clubs including La Boule Noire, Java, The Silhouette, Balajo (rue de Lappe), Pré Catelan and Ciro's. He also toured in South America, Germany, Italy and Switzerland. In 1949 he bought the Le Mirliton cabaret where he often played with Stephane Grappelli and Django Reinhardt. He also played with Matelo Ferret, Henri Crolla, Didi Duprat, Jo Privat and Gus Viseur. In 1958 he established the Radio Luxembourg Orchestra and also hosted the 36 Candles television show. He died in France
In 1932 Muréna began to play the bandoneón in tango orchestras, including that of Rafael and Eduardo Bianco Canaro, at French clubs including La Boule Noire, Java, The Silhouette, Balajo (rue de Lappe), Pré Catelan and Ciro's. He also toured in South America, Germany, Italy and Switzerland. In 1949 he bought the Le Mirliton cabaret where he often played with Stephane Grappelli and Django Reinhardt. He also played with Matelo Ferret, Henri Crolla, Didi Duprat, Jo Privat and Gus Viseur. In 1958 he established the Radio Luxembourg Orchestra and also hosted the 36 Candles television show. He died in France
